James Alexander has been teasing out the coming of Quiet Slang on Instagram for a couple of months now and today the Beach Slang frontman made the announcement official. We Were Babies & We Were Dirtbags, the debut Quiet Slang ep, will be out on October 20th via Polyvinyl Records. You can pre-order the album at https://www.polyvinylrecords.com/product/we_were_babies__we_were_. We Were Babies features stripped down and reimagined Beach Slang songs, down mostly on piano and cello. Below you can the reworked version of Bad Art and Weirdo Ideas.
Tag Archives: Beach Slang
This week I have new music from Lifted Bells and Beach Slang. Plus tracks from Hopesfall, Death Cab for Cutie, Further Seems Forever, and more.
Philadelphia’s Beach Slang released their masterful debut, The Things We Do to Find People Who Feel Like Us, last year. It wasone of my top ten favorite records last year. They’ve announced today that the follow-up, A Loud Bash of Teenage Feelings, will hit stores on September 23rd via Polyvinyl Records. The band has also premiered that records lead single, Punks In A Disco Bar, today. You can stream that song below.
It’s that time of the year again when I share what I consider the best records of 2016. This list only includes records that I listened to. I listened to almost half the amount of records I usually do in a year, so you’ll have to forgive me if I missed something. It should probably be my favorite records of the year, but we’ll stick with the best.
Crystal Lewis – Crystal Lewis
Levv – Arrow
Doug Burr – Pale White Dove
Carly Rae Jepsen – Emotion
Emery – You Were Never Alone
Sufjan Stevens – Carrie and Lowell
Boysetsfire – Boysetsfire
25. Deafheaven – New Bermuda
This record could just as easily be higher on the list. Fast and vicious, yet featuring these absolutely beautiful moments that make the musician in me smile. New Bermuda is less lush and more raw than Sunbather, but it also has more musicianship and technical prowess. A great record for the music geek and the metal fan.
24. Strengthen What Remains – Justice Creeps SlowJustice Creeps Slow is straight up the heaviest hardcore record I’ve heard since Point of Recognition’s Day of Defeat. Just heavy tough guy hardcore. Not frills, all fight!
23. The Ongoing Concept – HandmadeIf a band says they’re going to make all the instruments for their new record, you’d applaud them and call them crazy. That’s what the Ongoing Concept did for their sophomore record, Handmade. While I thought Handmade was less interesting than Saloon, it’s more consistent and concise. Plus, they make the best of list just because they made their own instruments!
22. Soft Lions – SpellbreakerSpellbreaker is a great ep. It could just as easily be the soundtrack for a 1950’s zombie beach movie. It’s got punk spirit with the lo-fi indie vibes. A band to pay attention to!
21. Moving Mountains/Prawn – Split EPI wasn’t sure we’d ever hear new music from Moving Mountains, so I was super excited when this split was announced. I actually like both of these Moving Mountains tracks more than the bands previous self-titled full-length. And both the songs from Prawn ring of emo’s glory days!
20. Alert 312 – The Upside EternalI find myself seeing this cycle where Alert 312 releases this super creative and innovative eps and their full-lengths don’t seem to have the same punch to my ears. And that was my first impression of The Upside Eternal. I still liked the record, but it just didn’t strike me the same way that Singular Vision did.But upon further listens you hear the intricate layers of sound and the hard work that went into the beats.
19. Ivadell – Maybe TomorrowMaybe Tomorrow has more depth than just another emo revival album. The arrangements are intricately simple. Interesting, but not overly complex. The dynamics on this record are great. When the band wants to sound huge, they’ve left plenty of room for the sound to grow and overwhelm your speakers. An absolutely stunning record.
18. Five Iron Frenzy – Between Pavement and StarsMore great music from Five Iron Frenzy on their second go around. B-sides from Engine OF A Million Plots, but most of these songs are good enough to have made the record. I’m really glad Five Iron is back!
17. Zao – Xenophobe/Fear Itself Yes, a 2 song 7″ was good enough to make the top 25. And if these songs are an indicator, Zao’s 2016 full-length will be an album of the year contender. The rawness and insanity from The Fear Is What Keeps Us Here is back and I’m not sure Zao has ever sounded better.
16. Fireflight – InnonaI’ve always liked Fireflight and their brand of hard rock. But I never thought I would’ve fallen in love with them as a pop group. I said when I reviewed Innova that I thought it had all sorts of commercial radio friendly singles on it, and I still believe it. This should’ve been a huge record for the band.
15. Envy – Atheist’s CorneaAtheist’s Cornea is a great record that seems to span most of Envy’s career. Less post rock and more of the hardcore sound that was featured early in the band’s career. But Envy provides a sound that is unique to them. Beautiful and chaotic at the same time.
14. Sollunar – The ObservatoryI love post rock. And the solo effort of Florida artist Josiah Bibb was a surprise for me. The best post rock record I heard this year.
13. Slow Meadow – Slow MeadowThe first release on Hammock’s new label is an absolute gem. A beautiful ambient record that you would expect Hammock to release.
12. Eshon Burgundy – The Fear of GodStraight up gospel rap. Beautiful Eulogy and Daniel Steele’s production just knocks it out of the park. It’s the type of record where the music is so good that you just want an instrumental version. That’s not to take anything away from Burgundy. The verses are strong and I really love his flow on this record.
11. Godspeed You! Black Emperor – Asunder, Sweet and Other DistressI was not a huge fan of GY!BE’s reunion record, ‘Allelujah! Don’t Bend! Ascend! It just didn’t strike a chord with me. Not so the case with Asunder. The record had me hook from its first note. The shortest Godspeed record to date, which is sad because it’s my favorite record from the band.
10. Better Off – MilkI already like Better Off a lot. But when you write a record that sounds like Jimmy Eat World and The Promise Ring, you’re speaking my musical love language.
9. Owl City – Mobile OrchestraI’m a sucker for Adam Young’s brand of electro-pop. There’s a fun innocence to it and the songs are always super catchy.
8. Haste The Day – CowardHaste the Day’s reunion produced the best of the band’s career. The interplay between Jimmy and Stephen’s vocals are perfect. There are moments where you hear the natural evolution of the band, and also the potential evolution had Jimmy never left.
7. Defeater – AbandonedThe concept behind Abandoned is so compelling and the way lyrics intertwine between songs makes it a record you have to really pay attention to. It’s a killer hardcore record, but it’s really the lyric concepts and themes that make Abandoned a worthwhile listen.
6. Beach Slang – The Things We Do To Find People Who Feel Like UsA shoegazey punk rock record. Tons of fun. The music feels like Smashing Pumpkins 1979 music video. Reckless and fun.
5. Dustin Kensrue – Carry The FireCarry The Fire is the post-Thrice record I’d been waiting to hear from Kensrue. Dirty, bluesy rock and roll. Plus we get the catchiest hooks Kensrue’s ever written.
4. J Givens – Fly ExamAnother Humble Beast release where the beats are super unique. Unlike The Fear of God, this beats are more minimal and leave a lot of room for Givens unique delivery style. It’s a record I had been waiting for a year to hit shelves and it didn’t disappoint.
3. Josh Garrels – HomeHome would make the top 25 for Born Again alone. Every time that songs plays, it’s like chicken soup for the soul. I’ve admittedly been a little lukewarm on Garrels, but this record is an absolute thing of beauty. Bluesy and soulful. A wonderful work of love.
2. Bandit – Of LifeWe’re splitting hairs between number 2 and number 1 because both records have been on my turntable constantly since they’ve been released. Of Life is a perfect indie rock record. Another record with terrific dynamic range that creates these beautifully chaotic moments when the songs explode, yet mellow out for Angela Plake’s vocals to shine.
- mewithoutYou – Pale HorsesPale Horses is epic. mewithoutYou hasn’t abandoned their indie rock tendencies, but they bring back their post-punk fury and explode all over Pale Horses. The lyrics are some of Aaron’s most indistinguishable as he blends multiple themes and ideas in each track. So this creates this abstract work of art that matches the ever shifting nature of the music. I’m glad this version of mewithoutYou is back!
I can’t remember the last time I hit play on a record and fell so head over heels in love with a band as quickly as I did Beach Slang. It’s been a while. The instant wash of noisy, fuzzed out, wall of sound guitar that hits is beautiful and fells vintage and fresh all at the same time. Call it punk, emo, rock and roll, it doesn’t matter. What matters is it’s really really good.
The songs are short, raw, and explode out of your speakers and infect your soul. This punk rock for the older crowd. For those that don’t feel the teenage angst any longer but are still mad as hell and want to party like they used to. And it is a good times record. It’s a sound I’ve heard before, but never quite this dynamic or good.
Throwaways doesn’t waste any time with intros, instead just busts right into the verse and throws you into the song. Each song is a little firecracker. The punk intensity of Throwaways is still there on Bad Art & Weirdo Ideas, but it also feels like it could just as easily be one of the best shoegaze songs on the decade. And Noisy Heaven meets both of those tracks somewhere in the middle. At times I’m reminded of a shoegazey version of Bad Religion and at other times it feels like what American Idiot could’ve been if, you know, Green Day hadn’t gone mainstream. But it’s not all big bad rock and roll. Beach Slang flexes their emo muscles with their acoustic ballad Too Late To Die Young and their less aggressive Porno Love.
If I had any complaint, it’s that the record too short. Only Bad Art & Weirdo Ideas clocks in at over 3 minutes (and just barely at 3:19). Beach Slang hits you hard, gets in and out quick, and leaves you wanting much more. I’ve listened to the record a dozen times and I could listen a dozen more. There’s nothing about The Things We Do that doesn’t work for me! It’s a perfect record. 5 out of 5 Stars!