Tag Archives: Sollunar
Post-rock out Sollunar has teamed up with Something Beautiful Records. Sollunar is working on not one but two projects. You can check out Sollunar’s debut ep, The Observatory, at https://sollunar.bandcamp.com/releases.
It’s that time of the year again when I share what I consider the best records of 2016. This list only includes records that I listened to. I listened to almost half the amount of records I usually do in a year, so you’ll have to forgive me if I missed something. It should probably be my favorite records of the year, but we’ll stick with the best.
Crystal Lewis – Crystal Lewis
Levv – Arrow
Doug Burr – Pale White Dove
Carly Rae Jepsen – Emotion
Emery – You Were Never Alone
Sufjan Stevens – Carrie and Lowell
Boysetsfire – Boysetsfire
25. Deafheaven – New Bermuda
This record could just as easily be higher on the list. Fast and vicious, yet featuring these absolutely beautiful moments that make the musician in me smile. New Bermuda is less lush and more raw than Sunbather, but it also has more musicianship and technical prowess. A great record for the music geek and the metal fan.
24. Strengthen What Remains – Justice Creeps SlowJustice Creeps Slow is straight up the heaviest hardcore record I’ve heard since Point of Recognition’s Day of Defeat. Just heavy tough guy hardcore. Not frills, all fight!
23. The Ongoing Concept – HandmadeIf a band says they’re going to make all the instruments for their new record, you’d applaud them and call them crazy. That’s what the Ongoing Concept did for their sophomore record, Handmade. While I thought Handmade was less interesting than Saloon, it’s more consistent and concise. Plus, they make the best of list just because they made their own instruments!
22. Soft Lions – SpellbreakerSpellbreaker is a great ep. It could just as easily be the soundtrack for a 1950’s zombie beach movie. It’s got punk spirit with the lo-fi indie vibes. A band to pay attention to!
21. Moving Mountains/Prawn – Split EPI wasn’t sure we’d ever hear new music from Moving Mountains, so I was super excited when this split was announced. I actually like both of these Moving Mountains tracks more than the bands previous self-titled full-length. And both the songs from Prawn ring of emo’s glory days!
20. Alert 312 – The Upside EternalI find myself seeing this cycle where Alert 312 releases this super creative and innovative eps and their full-lengths don’t seem to have the same punch to my ears. And that was my first impression of The Upside Eternal. I still liked the record, but it just didn’t strike me the same way that Singular Vision did.But upon further listens you hear the intricate layers of sound and the hard work that went into the beats.
19. Ivadell – Maybe TomorrowMaybe Tomorrow has more depth than just another emo revival album. The arrangements are intricately simple. Interesting, but not overly complex. The dynamics on this record are great. When the band wants to sound huge, they’ve left plenty of room for the sound to grow and overwhelm your speakers. An absolutely stunning record.
18. Five Iron Frenzy – Between Pavement and StarsMore great music from Five Iron Frenzy on their second go around. B-sides from Engine OF A Million Plots, but most of these songs are good enough to have made the record. I’m really glad Five Iron is back!
17. Zao – Xenophobe/Fear Itself Yes, a 2 song 7″ was good enough to make the top 25. And if these songs are an indicator, Zao’s 2016 full-length will be an album of the year contender. The rawness and insanity from The Fear Is What Keeps Us Here is back and I’m not sure Zao has ever sounded better.
16. Fireflight – InnonaI’ve always liked Fireflight and their brand of hard rock. But I never thought I would’ve fallen in love with them as a pop group. I said when I reviewed Innova that I thought it had all sorts of commercial radio friendly singles on it, and I still believe it. This should’ve been a huge record for the band.
15. Envy – Atheist’s CorneaAtheist’s Cornea is a great record that seems to span most of Envy’s career. Less post rock and more of the hardcore sound that was featured early in the band’s career. But Envy provides a sound that is unique to them. Beautiful and chaotic at the same time.
14. Sollunar – The ObservatoryI love post rock. And the solo effort of Florida artist Josiah Bibb was a surprise for me. The best post rock record I heard this year.
13. Slow Meadow – Slow MeadowThe first release on Hammock’s new label is an absolute gem. A beautiful ambient record that you would expect Hammock to release.
12. Eshon Burgundy – The Fear of GodStraight up gospel rap. Beautiful Eulogy and Daniel Steele’s production just knocks it out of the park. It’s the type of record where the music is so good that you just want an instrumental version. That’s not to take anything away from Burgundy. The verses are strong and I really love his flow on this record.
11. Godspeed You! Black Emperor – Asunder, Sweet and Other DistressI was not a huge fan of GY!BE’s reunion record, ‘Allelujah! Don’t Bend! Ascend! It just didn’t strike a chord with me. Not so the case with Asunder. The record had me hook from its first note. The shortest Godspeed record to date, which is sad because it’s my favorite record from the band.
10. Better Off – MilkI already like Better Off a lot. But when you write a record that sounds like Jimmy Eat World and The Promise Ring, you’re speaking my musical love language.
9. Owl City – Mobile OrchestraI’m a sucker for Adam Young’s brand of electro-pop. There’s a fun innocence to it and the songs are always super catchy.
8. Haste The Day – CowardHaste the Day’s reunion produced the best of the band’s career. The interplay between Jimmy and Stephen’s vocals are perfect. There are moments where you hear the natural evolution of the band, and also the potential evolution had Jimmy never left.
7. Defeater – AbandonedThe concept behind Abandoned is so compelling and the way lyrics intertwine between songs makes it a record you have to really pay attention to. It’s a killer hardcore record, but it’s really the lyric concepts and themes that make Abandoned a worthwhile listen.
6. Beach Slang – The Things We Do To Find People Who Feel Like UsA shoegazey punk rock record. Tons of fun. The music feels like Smashing Pumpkins 1979 music video. Reckless and fun.
5. Dustin Kensrue – Carry The FireCarry The Fire is the post-Thrice record I’d been waiting to hear from Kensrue. Dirty, bluesy rock and roll. Plus we get the catchiest hooks Kensrue’s ever written.
4. J Givens – Fly ExamAnother Humble Beast release where the beats are super unique. Unlike The Fear of God, this beats are more minimal and leave a lot of room for Givens unique delivery style. It’s a record I had been waiting for a year to hit shelves and it didn’t disappoint.
3. Josh Garrels – HomeHome would make the top 25 for Born Again alone. Every time that songs plays, it’s like chicken soup for the soul. I’ve admittedly been a little lukewarm on Garrels, but this record is an absolute thing of beauty. Bluesy and soulful. A wonderful work of love.
2. Bandit – Of LifeWe’re splitting hairs between number 2 and number 1 because both records have been on my turntable constantly since they’ve been released. Of Life is a perfect indie rock record. Another record with terrific dynamic range that creates these beautifully chaotic moments when the songs explode, yet mellow out for Angela Plake’s vocals to shine.
- mewithoutYou – Pale HorsesPale Horses is epic. mewithoutYou hasn’t abandoned their indie rock tendencies, but they bring back their post-punk fury and explode all over Pale Horses. The lyrics are some of Aaron’s most indistinguishable as he blends multiple themes and ideas in each track. So this creates this abstract work of art that matches the ever shifting nature of the music. I’m glad this version of mewithoutYou is back!
One of my favorite records in 2015 is Sollunar’s The Observatory. That record is now available on band camp with the name your own price option. So there’s no reason not to check this record out! DO IT! https://sollunar.bandcamp.com/album/the-observatory-ep
There are moments when you hit play on a new record and within seconds you know you’re listening to something special. That’s how I felt my first time listening to Sollunar’s debut ep, The Observatory. Maybe it’s my unending love for good post rock. Maybe it’s the excitement of seeing the growth of a friend culminate into a musical masterpiece. Maybe it’s just because the ep is that damn good!
Sollunar is the solo project of Florida musician/engineer Josiah Bibb. And The Observatory is the type of record that reminds me of why I feel so in love with post rock in the place.
The discordant ambient guitar layers providing the bed for the main riff on Aperture/Overture before dying out to a piano bed which strikes out on it’s lonesome for only a second before the song builds and decrescendos, offering a brief glimpse at what’s to come. It’s a tease for something more, which you want. Sure, it could’ve built into the next song, exploding in a triumphal cacophony of sound. But Bibb lets the intro die and gives the songs space to breathe. The dynamics play a key role in establishing a give and take between instrumentation and creating an environment for the listener to dissect and re-listen and engage the songs.
The quietness of Years makes you grab the volume knob and turn up the speakers, trying to catch the subtleties of the song. You can tell there’s an intentional crafting of the songs, because if you expect the song to build to go one one, Bibb will add a little addendum to the track, taking it off the rails of convention, only to reemerge farther down the line, already caught up in the next wave of sound and expansion. At times the guitar seems out of tune and not quite in step with the rest of the song, but it shifts and swerves and finds it’s way back into harmony.
Hoarfrost quickly finds it’s groove and builds, never to a point where the song explodes, but it leaves you wanting it to go over the edge. And it takes you to the edge before quickly dethrottling. The title track is a beautiful ambient piece that serves more as a bridge between the first half of the ep and the second. The bluesy guitar riff giving way for Permafractions to jump right in. No frills or silly introductions, just smack you in the face guitar goodness. The waltzing movement of the riff create a tension in the beauty and destruction happening at the same time.
Soliloquy closes the ep with this knowing that there’s beauty in the simplicity of life. Abigail Bibb’s simple vocal melody create a texture that stands so well on it’s own, that you wish there had been more of it.
And then the record ends. I found myself going back and listening to The Observatory over and over again. It’s the first great record of 2015. 5 out of 5 Stars
RIYL: Caspian, Gifts From Enola, Giants, The Mylene Sheath
You can download The Observatory EP at http://sollunar.bandcamp.com/releases